In art, there’s a term “negative space” which refers to all the space in and around your actual subject. So if you were drawing a picture on paper, the ink or pencil defines your subject and all that blank space around it? That’s the negative space.
Negative space is important because it’s through this space that you guide your viewer to the thing that matters. It’s in this space that your viewer gets to take a break – their mind gets to relax from processing the visual and the overall picture becomes easier to look at.
In music, there is still a negative space. There’s a time to stop playing, to take a rest, to skip a beat. Sometimes, the melody stops. Others, the harmony might cut out. In the most extreme, everything will stop for a moment but this is all done for the effect of guiding the listener on a journey.
There are lots of stylistic options that contribute to the negative space in a song but the most comparable for me is the bridge of your song because it’s a construct specifically designed to wake up the listener and prepare them for a final hurrah before the song ends.
In common song formats, you generally have a structure where the verse sort of sets up a story and the chorus is the climactic, super-catchy part that you are humming all day. It’s the part that repeats in all those songs that you sing along with but if all you do is the verse-chorus parts, you’re missing out on a lot of your story. Where’s the intro? Outro? The transition between all the parts? There’s just so much more.
When the music is repetitive, it’s easy to tune out, so we have to have a way to guide the listener and wake up those senses. If we think of the verse-chorus as our artistic subject, we can’t just add blank space around it and have a complete picture. Something needs to go in that void and that’s where you end up with the turnaround, the bridge, and some other things. These seemingly minor parts transition the listener between the major parts or wake the listener up to let them know another section is coming soon.
So what’s the point? Those minor parts are important – those parts are filling the gaps to make the major parts memorable. No matter your choice of art form, the subject is only one part of the overall composition. Spend time working on the minor parts too because, honestly, the chorus is only catchy when there’s a bunch of stuff around it that you enjoyed too!
P.S. I like making connections between different art forms because it makes it easier for me to retain the information. I’ve been drawing a lot longer than I’ve been making music and anytime I can connect the two, well, that’s a win in my book.
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